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Robert Fischer movies
Program Notes: An Introduction To The Last Detail By Alexander Payne
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Infinite Pleasure: Todd Haynes on Max Ophuls' Le Plaisir
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Outer Movement, Inner Movement
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Working with Max Ophuls: Robert Christidès, Set Decorator
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Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"
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Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'
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Real Killer, Fake Nose: Richard Fleischer's 'The Boston Strangler' Remembered
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Maternal Overdrive
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Erinnerungen an 'Väter und Söhne'
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The Making of Highlander
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Before Taking Off: Milos Forman’s Road to America
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Return to Philadelphia: George Litto on 'Blow Out'
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Of Love and Constraints
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Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand
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Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz
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Pure Cinema: Joe Napolitano on Brian De Palma's Body Double
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Life As It Is: Miloš Forman on Miloš Forman
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Making an American Movie
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Working with Max Ophuls: Annette Wademant, Co-Writer
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Working with Max Ophuls: Daniel Gélin on "La Ronde"
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Painting with Light: Nicholas von Sternberg on Josef von Sternberg
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Working with Max Ophuls: Tony Aboyantz, Assistant Director
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