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Starting Out: The Making of Jerzy Skolimowski's Deep End
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Sucker Punch Blues: A Look Back on John Huston's 'Fat City'
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Working with Max Ophuls: Marc Frédérix, Assistant Decorator
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The Fury: A Location Journal
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Return to Beethoven Street: Sam Fuller in Germany
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Touching Death: Alejandro Amenábar on 'Tesis'
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Love/Work/Cinema: A Conversation with Christian Petzold and Nina Hoss
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Reviving Harry Lime
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The Poet and the Filmmaker: Volker Schlöndorff on Baal
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Hans Fromm on 'Phoenix'
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Maternal Overdrive
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Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram
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Rumble on the Lot: Walter Hill's Streets of Fire Revisited
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The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited
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Working with Max Ophuls: Daniel Gélin on "Le Plaisir"
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Budd Boetticher on the Ranown Cycle
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A Cinema of Signs: Claude Chabrol on Alfred Hitchcock
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Infinite Pleasure: Todd Haynes on Max Ophuls' Le Plaisir
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Will He Live or Will He Die: Walter Hill on Southern Comfort
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The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
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Program Notes: An Introduction To The Last Detail By Alexander Payne
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Homay King on 'Shanghai Express'
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