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Working with Max Ophuls: Daniel Gélin on "Le Plaisir"
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Dalton Trumbo: Rebel in Hollywood
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Expedition Amazonia
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Moral Tales, Filmic Issues: A Conversation between Barbet Schroeder and Eric Rohmer
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Douglas Sirk erzählt...Zarah Leander und 'Zu neuen Ufern'
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Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram
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Kurosawa and the Censors
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'Deep End': Remembering the Deleted Scenes
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Contract Kid: William Reynolds on Douglas Sirk
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A Tribute to Douglas Sirk by Allison Anders
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The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
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A Winter's War: Keith Gordon on 'A Midnight Clear'
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About a Trip: Alexander Payne on Hal Ashby's 'The Last Detail'
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Working with François Truffaut: Nestor Almendros, Director of Photography
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Ted Kotcheff's Gourmet Cinema
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Budd Boetticher on the Ranown Cycle
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Perspectives on Othello: Joseph McBride on Orson Welles
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Requiem for a Killer: The Making of 'Blast of Silence'
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Working with Max Ophuls: Alain Jessua on the Making of Madame de...
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Black and White in Color: Vilmos Zsigmond on 'Blow Out'
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Program Notes: An Introduction To The Last Detail By Alexander Payne
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Infinite Pleasure: Todd Haynes on Max Ophuls' Le Plaisir
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Outer Movement, Inner Movement
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Working with Max Ophuls: Robert Christidès, Set Decorator
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