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Robert Fischer movies
About a Trip: Alexander Payne on Hal Ashby's 'The Last Detail'
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Swan Song: The Story of Billy Wilder's Fedora
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Moral Tales, Filmic Issues: A Conversation between Barbet Schroeder and Eric Rohmer
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Black and White in Color: Vilmos Zsigmond on 'Blow Out'
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Pure Cinema: Joe Napolitano on Brian De Palma's Body Double
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Beyond Melodrama: Kathryn Bigelow on Douglas Sirk
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Working with Max Ophuls: Daniel Gélin on "La Ronde"
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A Winter's War: Keith Gordon on 'A Midnight Clear'
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Acting for Douglas Sirk
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Painting with Light: Nicholas von Sternberg on Josef von Sternberg
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Return to Philadelphia: George Litto on 'Blow Out'
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Requiem for a Killer: The Making of 'Blast of Silence'
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Jack Arnold Remembers The Incredible Shrinking Man
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Outer Movement, Inner Movement
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Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'
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Perspectives on Othello: Joseph McBride on Orson Welles
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Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand
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G.W. Pabst's 'Kameradschaft': An Introduction by Jan-Christopher Horak
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Working with Max Ophuls: Alain Jessua on the Making of Madame de...
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Working with Max Ophuls: Tony Aboyantz, Assistant Director
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Before Taking Off: Milos Forman’s Road to America
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Le Plaisir: From Script to Screen
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Rag Doll Memories: Nancy Allen on 'Blow Out'
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Life As It Is: Miloš Forman on Miloš Forman
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